Wednesday, March 26, 2008

Be More Indie Research; Reading Notes

Noteworthy transcript excerpts from Ian Nagoski, owner of The True Vine, interview:

What is the idea or moral behind The True Vine?
"The idea of shop was mainly to be able to provide. There's a lot of music out there, and there was a lot of stuff that we liked that wasn't presented cohesively in one place. The idea of the shop was the represent the stuff we liked."

Is there an all-encompassing idea behind the Baltimore music community?
"I moved here largely because of the music scene. The music scene seemed to be so free and open, so much vital stuff going on. It was real egalitarian. Real non-hierarchical."

"My theory was, at the time, it was completely impossible for anyone to get famous here. There are lots of great musicians from Baltimore, but they all got famous because they left. Anybody who stayed here never really made much of a mark. It seemed to be place you could be free because there wasn't any golden ring to capture you."

"That certainly has changed some. There are a lot of musicians that have moved here, particularly in the past two years. There still tends to be a really great reaction between subcultures and a lot of collaborative spirit."

How does an indie record shop fit into this idea?
"The idea of record store to me has always been a place where there would be an exchange of ideas, and a physical place for exploration. They would be able to dig through things and find things they wouldn't be able to find otherwise."

What are your thoughts on digital music?
"The main difference between music as a file and music as an object has something to do with permanence. I'm actually a 78 collector. The records I keep are mostly made of a combination of ground up stone and shellac. The music that I keep is stuff mostly from Asia, Africa and the Middle East. It's sort-of 60-90 years old. Those are actual memories of events that did happen. They did play this music in person, in realtime, and it's remembered by this object."

"With digital media, it's easily the most impermanent form that's come up. Each format that's come along is essentially more and more ephemeral so that we are getting back to a point where music is only there for a little while and then it's gone. The example I always use is, ask people how many computers they've owned in their life? How many files do you have left from the second computer you owned? Basically none."

"Baltimore Club began in 1993, and they were pressing tons and tons and tons of vinyl up until 2 or 3 years ago when it just stopped. So Baltimore Club is completely a digital genre. So the only way it's passed around is by digital files. So when the time comes that we go back, put it into context, research it and just look at it, after all the parties are over, they are going to have a really good record of what happened from 93 to 2003. But everything that happens from 2003 to 2008; there's no way to reconstruct who did what when, except by word of mouth. And a lot of that music is just going to be lost."

"There's going to be a lot of music that will come and go, and the cultural circumstance that surround them are going to be hard to archive and understand because there's no object."

Do you think that physical music will ever become obsolete?
"No. Maybe in the general culture sense, but as for people who are interested in exploration and interested in what has happened and the context of human creativity... it is going to remain permanently."

Modules:
1. Introduction/Welcome to Baltimore Music & It's Indie Record Shops
2. The True Vine
3. Sound Garden
4. Reptilian Records
5. Normals
6. The Impact of Digital Music on the Physical Music Lifespan
- Digital music sees sales double
- Music industry steps up search for digital revenue
- Digital Music Sales Explode, with Top Digital Track Besting Top Physical Album
7. But There's Hope: The Resurgence of Vinyl Sales
- Vinyl Frontier: Left-for-Dead Music Is Resurrected for the Digital Age
- U.K. Music Label Creates a Vinyl-MP3 Hybrid
- Vinyl May Be Final Nail in CD's Coffin
8. Conclusion - The Future of Baltimore Record Shops

On Briggs, Chp. 8 - Shooting and Managing Digital Photos
- Take as many pictures as possible
- Megapixel - one million pixels
- Resolution - "measurement of pixels that are available to the human eye"
- Lighting is important
- Fill the frame
- Capture moments
- Always edit copy, never original

2 comments:

Jewel said...

Here's a link I found that you might be able to pull some information from: http://www.newsobserver.com/1565/story/1012718.html

TL said...

Nice research post, Julia. Looks like a good interview.